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21 Lines
Fusion Sonnets of 21st Century by Dr. Sonnet Mondal
Noted
variations in 21 Lines Fusion Sonnet form unlike 14 lines sonnets are
that, they follow
Same Rhythm and
Rhyme in 1st,5th,9th & 10th Lines,
in 2nd,3rd & 4th Lines,
in 6th,7th &
8th lines, r
hetorical
questions in 9th & 10th lines.
A negative and
pessimistic note is maintained in the first 10
lines followed by
free verse
carrying Optimistic Tone in 11th, 12th,13 & 14th Lines.The
Volta comes
gradually through 9th, 10th and 11th lines.
The 14 lines in each case is followed by a
half sonnet of 7 lines acting as a coda to add a two dimensional note in
the poem, beginning with the same 1st line and ending with the 5th line
of the poem.Here too
Same Rhythm and
Rhyme is maintained in 16th and 17th
lines and
in 18th and 19th
lines.
Volta is in the
20th line.
Sonnet has left
liberties in the length of lines and Rhyme based upon the closeness of
pronunciations.Each of the 70
21 Lines Fusion
Sonnets deal with heavy and deep themes.
Sonnet Mondal's
work increases in excellence. He is a
young man, but true poetry is ageless. His seventy sonnets in the book "21 lines Fusion Sonnets Of 21st
Century" are fresh,
original,
and innovative. They prove him to be a pioneer of some note, breaking
new
ground in the world of literature. His style is inimitable, his command
of the
English language superior, his poetic gift unmistakable. I can envision
this new
type of sonnet appearing in poetry text books and being emulated by
those who
have a zeal for creative adventure. The poet tells us that he was
inspired by Gerard Manley Hopkins who might have had kind words to say
in defense of his
inventiveness.
Mondal bares his
soul in these sensitive offerings. He proves once again that
the genuine poet is brave enough to give himself away in words. He speaks
eloquently of
the pain of creativity, the agony of rejection, the beauty of nature, the plight of the powerless, the
frailty of
the forsaken, the demise of our planet earth and the total cynicism of
the
pitiless. The reader will be spellbound by the scope and strength of his
powerful, emotional message.
Every piece in this collection has merit, but I
cite Sonnet Twenty-five as an example of the high quality of the
work presented here. This soliloquy
stands in comparison with the best sonnets I have read in more than half
a
century of poetic experience.
In
the poet's evocative words from, Sonnet Twenty-Five:
“We two brothers brought up in the same
cradle of
care,
Separation was not meant for us;
Hand in hand even in tightest mass,
For we were the seeds of the same grass.
The love was intended for a short time-I was left bare.”
Poetry is essentially a performance. This one deserves a standing
ovation.
by Dr. Sandra Fowler, Litt.D., U.S.A
(Pushcart Prize
Nominee-1998)
Title: WATER THE MOON
Author: Fiona Sze-Lorrain’
Erin McKnight at
Prick of the Spindle calls WATER THE MOON a “stunning debut collection.” Read the full review of Fiona Sze-Lorrain’s WATER THE MOON
here.
Publisher:
Marick presshttp://marick-press.blogspot.com/Where to order:
Marick Press
Title:
A School for FishermenAuthor: Carlo Matos
A School for Fishermen is a collection of poems "authored" by a series of heteronyms—members of an intergenerational Azorean-American family.
Publisher: BrickHouse Books, Inc.
Where to order: BrickHouse Books website:
http://pages.towson.edu/harriss/!bhbwebs.ite/bhb.htmContact info: matos46@hotmail.com
Chaise
a Novel by Becci Noblit Goodall
Published by Offense Mechanisms, 168 pages.
Copyright © 2007 Becci Noblit Goodall
Once in a great while a novel comes along that captures readers’ imaginations and forces them to find a quiet place to read, digest, meditate, rejoice and declare war.
Prosthetic Gods
a poetry chapbook by Jonathan Penton
Published by Winged City Chapbooks,
an imprint of New Sins Press
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