a portal to the arts from southeast Texas and beyond

Home     Poetry     Photography     Short Stories     Visual Art     Video & Music     Letters to the Editor     Book Shelf     2008 Publication Calendar     Site Map      
Jesse Kantu - July 2008
Jessy Kendall - July 2008
Peter Schwartz - July 2008
Norman Ball - May 2008
Doug Johnson - May 2008
Joseph Nechvatal - April 2008
Jim Fuess - March 2008
Richard Bilow - March 2008
Richard Bilow - February 2008
Andrew David King - February 2008
Richard Bilow - January 2008
Peter Schwartz - January 2008
Jeremy James Thompson - January 2008
Fall 2007 - Peter Ciccariello
Fall 2007 - Claudio Parentela
Fall 2007 - Anne Pearce
Fall 2007 - Liat Yossifor
Cinda Rae Oliverio - August 2007
Claudio Parentela - August 2007
Peter Schwartz-August 2007
Summer 2007 - Jared Barbick
Summer 2007 - Kuhn & Wyche
Summer 2007 - Diana Magallon
Steve Cartwright - January 2007

Welcome to The Houston Literary Review

Visual Arts Pages


We are proud to offer our readers the best illustrators, painters, sculptures, and imaginative visual artists from Texas and beyond.

 

Within these pages you will find the artistry of national and international artists.

 

Joseph Nechvatal is our featured artist in the March 2008 issue.

 

Joseph Nechvatal's digital paintings conjure up an enigmatic world of almost dreadful depth – a depth that signals the dynamic critical intricacy of a contemporary practice engaged in the fragile wedding of image production and image resistance. His computer-robotic assisted paintings are made up of an oddly excessive concoction of ambiguous sexual body parts (morphed from both sexes) and expressions of political ire; thereby exploring the theme of allegory which addresses the global influence of the viral form.

Nechvatal’s art evokes a process of self-sampling and psychic self-mixing that apes, yet critiques, the ideological compositional devices engaged in by mainstream media, which it uses to create seemingly “objective” continuous permutations of representational meaning. But Nechvatal also brings a subversive reading to computational media by presenting an artistic hyper-self-consciousness that articulates contemporary concerns regarding safety, truth, identity and objectivity.
  


To contribute to the visual arts section, please send digitized work with a brief biographical sketch (including techniques used in the work) to photoeditor@thehoustonliteraryreview.com


Please support the arts in Southeast Texas and beyond with a secure PayPal donation


  Diana Magallon in the Summer 2007 issue

 IDYLL 49

 

 


 

MUNECAS
by: Diana Magallon


 



 


 

 

Elegia 4

 

Diana Magallon